[The camera's pointed at Jay's shoes. Wherever he is, it's carpeted, and it's at least somewhat well-lit. When he finally speaks, it's at a whisper and oddly flat.]

If anyone was thinking about using the last house on...Lakeview Drive for shelter...

[A gas can swings into view, and a narrow stream of gasoline leaks from the spout onto the carpet. The camera tilts for a second, revealing a well-furnished suburban bedroom with lazy gasoline loops painted across both the floor and the bed.]

...Don't.

[Jay starts down the stairs, trailing fuel behind him.]

Don't get anywhere near this place. If you're looking for me, [He tries and fails to suppress a cough. The fumes must be getting to him.] I won't be around either.

[He's in the living room now. Jay pans the camera across the room--couches, coffee table, TV, stereo--before dribbling the last of the gasoline across the floor and up to an open window. He tosses the can aside.]

Last warning.

[Jay reaches up to the inactive stereo, twisting the volume dial as low as it can go. Hand visibly trembling, he switches it on. Nothing. Good. He switches the input to "radio". His breathing is audible now, high and ragged.

He twists the volume knob, and the speakers come to life with the deafening roar of...well, you win some, you lose some.

Jay bolts from the house, leaving the front door hanging open.

There's chaos for a moment, leaves hit the camera lens, and then Jay's looking down from a reasonably sized oak tree. A corpse shambles into view, heading straight for the house. Jay cuts the feed.]

[OOC: Jay has just attempted to create walker-bait out of the last house at the end of a dead-end street. Very loud, very flammable walker-bait. He's stolen Tim's lighter, and he's planning to shut the front door and light the place up through the window once enough bodies find their way inside.

Feel free to use this post to yell at him/cheer him on/try to stop him/try to help him.]